Every department, one production.

Allusio organises your production around the scene. Scenes, shots, cast, crew, locations, contracts, and the schedule, all connected, all in one place.

Now onboarding film and TV productions. Invite-only, no credit card.

37.
15EXT. ROOFTOP - CONTINUOUS15

Wind hums through the antenna cables. REYES crosses the gravel, phone in hand. SAM waits at the parapet.

Reyes

You said you'd come alone.

Sam

I did. They followed me anyway.

Reyes lifts the phone. The screen is already lit.

Scene 15, broken down

Pulled from the page above, and kept in step with it.

  • Shots6 setups, 15A to 15F
  • Length2 4/8 pages
  • ShootsDay 12, 07:30

Hover or tap a row to see where it comes from on the page.

Everything flows from the scene

Characters, shots, locations, and design elements all connect back to individual scenes, so nothing drifts out of sync as the shoot changes.

  • Scene breakdown

    Slug lines build themselves from INT/EXT, set, and time of day. Track page counts in eighths and see totals update automatically.

  • Cast and crew, kept separate

    Scripted characters and real people live apart, so your breakdowns stay clean. Cast an actor against a role in a click.

  • Sets that build themselves

    Adding a scene creates the set from its slug line automatically. Compare location candidates and lock in the one you're shooting.

  • Shot lists that stay in sync

    Break every scene into camera setups, attach storyboards, and keep the whole crew looking at the same list on set.

  • Contracts, sent and signed

    Send deal memos and releases for signature, then track exactly who's signed and who's still pending, without leaving the app.

  • Schedules and call sheets

    Build shooting days with timed events, then export a clean PDF call sheet the whole team can read on set.

A closer look at Allusio

The same interface your production runs on, laid out the way department heads actually work.

Scene 15, Rooftop confrontation

Add shot
15A
Wide establishing
WS, dolly
15B
Two shot
MS, handheld
15C
Reaction, close
CU, static
15D
Over the shoulder
OTS, static
15E
Insert, phone
ECU, static
15F
Wide, pull back
WS, crane

Every shot links back to its scene, so a schedule change never leaves a shot list behind.

Day 12 of 28, Friday 4 September

Export call sheet
06:00
Crew call and unit move
Rooftop location, downtown
07:30
Scene 15, Rooftop confrontation
6 setups, 2 4/8 pages
EXT
12:00
Lunch
60 min
13:00
Scene 16, Alley escape
4 setups, 1 6/8 pages
EXT
18:30
Wrap
Estimated

Drop scenes and events onto the day, then export a call sheet the crew can actually follow.

Deal memos and releases

New contract
Rae Torres, cast deal memo
Sent 1 Sep
Signed
Jordan Malik, cast deal memo
Sent 2 Sep
Pending
Rooftop Studios, location release
Sent 2 Sep
Signed
Kai Park, crew agreement
Not yet sent
Draft

Track every signature in one list instead of a folder of emailed PDFs.

Characters, cast against people

Add character
JM
Detective Reyes
Played by Jordan Malik
Lead
RT
Sam Ellery
Played by Rae Torres
Lead
?
Night Clerk
Not yet cast
Featured
KP
Officer Diaz
Played by Kai Park
Supporting

Characters are scripted roles. People are real cast and crew. Keeping them separate keeps every breakdown accurate.

Where to start

Six steps to go from a blank production to a schedule you can shoot from. Each one builds on the last.

  1. Add your people

    Bring in cast and crew as real-world contacts: names, roles, contact details, headshots.

  2. Create characters

    Add your scripted roles and featured extras, then cast real people from People against them.

  3. Break down the script

    Add each scene. Allusio builds the slug line for you and tracks characters and pages as you go.

  4. Scout locations

    Sets are generated from your scenes automatically. Add candidates, then lock in the one you're shooting.

  5. Add shots and design

    Break scenes into camera setups, and track props, vehicles, and dressing per scene.

  6. Build the schedule

    Create shooting days, drop in scenes and events, and export a call sheet for the team.

Get access to Allusio

We're onboarding a small number of productions right now. Tell us about yours and we'll get you set up, usually within a couple of days.

  • Free to get started
  • Set up in one working session
  • Invite your whole cast and crew
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Good to know

What kind of productions is Allusio for?

Feature films, short films, TV series, TV movies, commercials, documentaries, and music videos. If your project has scenes, cast, and a schedule, Allusio fits.

Is it free to get started?

Yes. New productions run on Allusio at no cost while we onboard early teams.

Can my whole cast and crew use it?

Yes. Invite anyone on the production, from department heads to background talent, and give them exactly the access they need.

One production at a time, or many?

Each production gets its own scenes, people, schedule, and design elements. Nothing bleeds between productions, and you can run as many as you need.

Ready to bring your production together?

Request access and we'll get your production set up in Allusio.

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